During the inaugural edition of Il Primo Maggio in Ritardo (PMIR) in 2022, I faced the challenge of preserving the festival’s brand identity while the organization launched a call for entries to attract artists for performances.
The key objective was to maintain the essence of the visual branding without revealing too much of the final design. To achieve this, I developed a sketched-out version of the visuals, offering a teaser of what was to come while ensuring that the brand’s full aesthetic remained intact. This approach allowed us to generate interest among artists and attendees without compromising the festival’s identity.